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Przewodnikowi tow. mapa [skala ca 1:7 500 000] - Podkarpackie : część południowa.
Na okł.: www.wrota.podkarpackie.pl
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Biblioteka Obcojęzyczna
Są egzemplarze dostępne do wypożyczenia: sygn. O 22540 (1 egz.)
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Lori and Joe have lived in the Lake District for many years, in a quiet valley where one day is much like another. Bringing Joe his regular cup of coffee one morning, Lori finds him dead. She could call an ambulance, but what difference would it make? Instead, she heads out for a walk over the fells. As she makes her way through the November fog, Lori's thoughts slip between past and present, revealing a marriage marked by isolation, childlessness and a terrible secret she's never disclosed. Arnold's musical prose merges form and content to express what cannot be communicated through language alone. Taking place over the course of a single day, yet revealing the secrets of a marriage of many decades, Lori & Joe is a sparse, intimate and deeply moving story of entrapment and isolation, and of a life in which desire is continually overcome by inertia: nothing changes and nothing is ever (re)solved.
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Sam Buchan-Watts' debut collection considers the capacity contemporary lyric poetry has to reflect social change. The many ethical dilemmas these poems enact listen in to the noise which society makes to distract itself – from carceral space to questions of asylum, masculinity and the boundaries of aesthetic play. Described by the Guardian as a 'sceptical, serious, versatile writer', Buchan-Watts variously inhabits poetic form, exposing the interplay of sound, sense and desire. Returning repeatedly to the figure of a vulnerable boy approaching the thicket of adolescence, these are poems that are listening in when they're not supposed to, distracted when they should be listening in, and finding secret listeners behind the arras. In this disquieting terrain we must hold ourselves to account for what we hear and what we make of what we hear.
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Drinking to excess is living when you're young. But what happens if living becomes rape… assault… death?!! Lisbon: that city at the mouth of the Tagus, that city that whispers, licks and seduces its visitors, that city that haunts those seeking refuge or its pleasures. Who would wish to escape? It is the start of the millennium and two 'lads' from South-East London are trapped in Lisbon among people and experiences set to push them to the limits. Attempting to lie low after a fateful night back home, the friends find themselves navigating an unfamiliar and unnerving new reality. A crime novel inspired by a real-life incident, and distinguished by its sensitivity to subtleties of language and dialogue, Along the River Run is a story of guilt and retribution played out amid the streets, sounds and sights of this bewitching city. Just as the undercurrents of Lisbon's Tagus are ever present, so the literary undercurrents of the capital as written by Pessoa, Saramago or Sa-Carneiro are there to enrich and pervade the evolving narrative. The novel follows the author's much-praised earlier book on Lisbon, a cultural exploration in a 'Cities of the Imagination' series, setting up authoritative background research for this haunting story of psychological destruction.
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A novelist questions why she's been shortlisted for the Prize of Prize's Prize; an artist duo has a messy break up; a schoolgirl is saved from a predator by a flash flood and a gang of dead animals; a surgeon has an incurable identity crisis; a budding actor can't see what's so funny; a pregnant food writer gets a craving for luxury consumerism. These thirteen stories by writer and literary translator Jen Calleja pick apart the hidden motivations behind our desires, and the ways we seek out distraction from difficult truths. They investigate histories, power dynamics, rituals, institutions – the roles we adopt, as well as the ones we inherit. Known for her acclaimed poetry and translations, and as a performer in numerous bands, these facets manifest in an attention to the latent ambivalence of language, and the nature of storytelling itself. This writing is direct and considered – it asks to be read, read out loud, retold, refashioned into fables with a distinctive mouthfeel. I'm Afraid That's All We've Got Time For is a sharp, bold, inventive and prescient fictional debut from a versatile and brilliant writer.
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Vehicle / Jen Calleja. - [miejsce nieznane] : Prototype Publishing : Legimi, 2022.
Forma i typ
In a time when looking into the past has become a socially unacceptable and illegal act in the Nation, a group of scholars are offered an attractive residency to allow them to pursue their projects. When the residency transpires to be a devastating trick, these Researchers go on the run, and soon discover that their projects all relate to one major event: the Isletese Disaster – the decline and subsequent devastation fifty years earlier of a long-forgotten roaming archipelago called The Islets. One figure emerges as central to all of their work: Hester Heller, a reformed cult musiker turned student recruited from the Institute for Transmission as an agent of the state and tasked with gathering reconnaissance on the Disaster by using her old band Vehicle as a cover. Heller is the key to the Researchers collective story, which they try to piece together while evading their pursuers. Compiled from the Researchers' disparate documentation, recollections, and even their imaginations, Vehicle is a timely and daring exploration of xenophobia, exploitation, the writing of histories and legacies, and the politics of translation.
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On a remote mountaintop somewhere in Europe, accessed by an ancient funicular, a small pharmacy sits on a square. As if attending confession, the townspeople carry their ailments and worries through its doors, in search of healing, reassurance, and a witness to their bodies and the stories of their lives. One day, a young woman arrives in the town to apprentice under its charismatic pharmacist, August Malone. An outsider, she is lulled by the stories and secrets shared by both customers and colleagues, and slowly loses herself in this strange, beguiling, isolated community. As her new boss rises to the position of mayor, exploiting his intimate knowledge of those whose trust he gained, she realises that something sinister is going on around her. Ambiguous, compelling and bewitching, The Weak Spot is a fable about our longing for cures, answers, and an audience, and the silent manipulations of those who hold power in our world.
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Deceit / Yuri Felsen. - [miejsce nieznane] : Prototype Publishing : Legimi, 2022.
Forma i typ
Appearing for the first time in English, Deceit is the debut novel by Yuri Felsen, a leading modernist writer of the interwar Russian diaspora. Known by his contemporaries as 'the Russian Proust', Felsen died in the gas chambers at Auschwitz, his life and legacy destroyed by the Nazis. Written in the form of diary, Deceit is a psychological self-portrait of an unnamed narrator, a neurasthenic and aspiring author, whose often-thwarted pursuits of his love interest and muse provide the grounds for his beautifully wrought extemporizations on love, art and human nature. Modulating between the paroxysms of his tormented romance and his quest for an aesthetic mode befitting of the novel he intends to write, Deceit is a remarkable work of introspective depth and psychoanalytic inquiry. Like voyeurs, party to his most intimate thoughts, we accompany the diarist as he goes about Paris, making enraptured preparations for the materialisation of his fantasy, observing not only his eagerness, dreaminess and poetic inclinations, but also his compulsive desire to analyse his surroundings and self. Yet amid these ravishing flights of scrutiny we discern hints of his monomaniacal tendencies, which blind him from the true nature of his circumstances. Thus begins an exquisite game arranged by the author, wherein it falls to the reader to second-guess the essence of what really lies behind his narrative.
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A narrator and her dog are criss-crossing the Swiss Alps. She travels with friends who share her interest in food, languages and their topographical contexts. They collect colours, even look for colourlessness, and develop the idea of a walk-in diary, a vain attempt to archive their observations. Gradually, other mountains appear in their observations and memories, as do the mountains of literature and art. Mountains may be sites of fear and awe, of narrow-mindedness, racism and ever-looming collapse; Alpine lodges may be places of hospitality, retreat and unexpected encounters; of nature under threat. In 515 notes, Zsuzsanna Gahse unfolds a finely woven interplay between her six characters while giving us a vivid panorama of mountain worlds, a multi-layered typology of all things mountainish.
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Forma i typ
Lorem Ipsum, the debut novel from poet Oli Hazzard, consists of a single, 50,000-word sentence. An epistolary fiction addressed to an unidentified email recipient, the novel is modelled after the Japanese prose genre of the zuihitsu, which means 'following the brush'. This playful, disruptive and digressive novel is written out of and towards a moment of crisis in the ordinary, in which the experience of attention has changed entirely. Lorem Ipsum is also an intimate, singular exploration of being a parent and a child, of dreams, work, fantasies, reading, happiness, secrets, memory, protest, repetition, intergenerational conflict, and the forms of community which appear or disappear based on how we conceive of 'shared time'. It is a book about the foundations upon which we build our lives, and what happens when they are shaken.
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rock flight is a book-length poem that follows a personal and historical narrative to compose an understated yet powerful allegory of Palestine's occupation. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions and surveillance technology that Palestinians face both within and outside Palestine. It depicts a restlessness brought about by dispossession, and a determination to find significance in fleeting objects and fragments. It looks to the literary form as an interactive experience, and the book as an object in flux, inviting the reader to embark on an exploration of space, while limited by the box-like confines of the page. Formally claustrophobic, the poem morphs into irony, declaring everything a box while refusing to exist within one. 'rock flight is relentlessly potent. Merging resistance and poetry, Hasib Hourani writes back—against the "suffocating state" and imperial forces. Be ready to be transformed by Hourani's diasporic anticolonial poetics.' — Don Mee Choi 'Here is a poetry of passion; a poetry of necessity; a poetry of survival, and a poetry-triumphant.' — Maxine Beneba Clarke
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Fatherhood is the debut novel from award-winning poet Caleb Klaces, combining prose and poetry in an experimental work of verse fiction. Following the birth of their first child, a couple move out of the capital to the northern countryside, where they believe the narrator's great-grandfather, a Russian emigrant, was laid to rest. The father dedicates himself to parenting, writing and conversation with his dead ancestor, newly conscious of the ties that bind the present to the past. It is a time of startling intimacies, baby-group small talk, unexpected relationships and tender rhythms, when every clock seems to tell a different time, and the solidity of language is broken. As his daughter begins to speak, the father's gentleness turns to unexplainable rage. He begins to question who he must protect his child from – the outside world or himself. Their new house, the family discover, is built on a floodplain. Moving between history, memory and autobiography, its shifting form captures a life and language split open by fatherhood. An experiment in rewriting masculinity, it asks how bodies can share both a house and a planet.
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During a time of restricted movement, the narrator of Mr Outside visits his reclusive father Thomas who is packing up to move into a care home. As father and son grapple with the task, long-buried conflicts resurface. Thomas, a poet and former radical priest, slips between affection and fear, while the narrator struggles to find the words he's been holding back. Yet amidst confusion and grief, moments of humour and connection emerge, as both men discover new ways to understand each other and let go. Told through a striking combination of text and image, Klaces' distilled novel explores the stories we tell about our lives, the limits of intimacy, and the fragile line between reality and delusion. Based on the life of his own father, Mr Outside is poignant, profound, and unexpectedly funny; a tender meditation on endings, the limits of understanding, and the act of letting go.
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The Boiled in Between is the debut novel by Turner Prize-winning artist Helen Marten, a bold and daring work of fiction which transposes the poetic sensibility of Marten's visual work to the page. It is a challenging, playful, enigmatic, tactile and deliberately ambiguous work of great inventiveness, which will establish Marten as an exceptional talent and unique voice in contemporary fiction. The novel began as an attempt to map the structure and stories of a house; within its tilted, sensuous, alchemical world, characters navigate strange, meticulously indexed landscapes – real and conceptual – to question language and definition and illuminate the associative movements of our minds. Spliced between three voices, the narrative is a project always in movement. The characters traverse these in-betweens: the hot-blooded living world; the curious disembodiment of the imagination; and the rampant snipping away at time in a progression morbidly (and comically) ever closer to death.
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The Earth is Falling is a haunting and magical novel based around the existence of an abandoned village outside Naples. The deserted houses that still stand there are peopled with ghosts who live in a perpetual present from which time has effectively been abolished. The village appears to be semi-alive; the landslide which ominously awaits and which will eventually lead to the abandonment of the place has yet to arrive (yet its rumbles are heard). Pellegrino peoples Alento with eccentrics, luminaries, an eternally optimistic town crier. In the closing pages, the narrator Estella summons the remaining ghosts for a final dinner. The overall effect is unsettling, haunting and uncanny, the trapped souls doomed to repeat their circumscribed daily life for ever, cut off from the world but dimly aware of its continued presence outside.
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