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Octopus Mind / Rachel Carney. - [miejsce nieznane] : Seren : Legimi, 2023.
Octopus Mind plays with an array of rich and original metaphors to explore the intricacies of neurodiversity, perception and the human mind. These poems articulate the desire to understand and be understood by oneself and others in a complex world. They observe the nuances of creativity, art, relationships, and self-expression through the lens of neurodiversity, reflecting on the poet's experience of being diagnosed with dyspraxia as an adult. They delve into the challenges of neurodiversity, but also reveal its gifts. Poems respond to visual artists like Gwen John, whose paintings break new ground for women representing their own visions of themselves. Other poems suggest that this can be a struggle however, as Pablo Picasso paints not a woman but his own despair in 'Blue Nude', while Elizabeth Siddal reflects on her own image, fetishized by the Pre-Raphaelite painters, and Henri Rousseau's painting becomes an outlet for self-deception and frustration. Some of the most stunning poems in this collection perform a kind of magic or sleight of hand, as dyspraxia is explored through unique and remarkable metaphors, including a series of artefacts in a museum, a walk along the seashore, and a swaying tree. The 'Octopus Mind' evokes the possibilities of what it means to be human, through obsession, self-deception, realisation, and acceptance. The speaker in Octopus Mind is endearingly humble and we journey with them beyond self-criticism to reclaiming the self. In 'Growing', the narrator declares 'I will grow // into myself, climbing, steady, / grip by grip, leaf by leaf'. In 'Understood' the narrator describes the complex process of re-imagining one's place in the world, armed with new knowledge: 'Slowly, we adjust / our own soft ignorance / unroll our prejudice / in gentle waves.' "A poet of multiple uncanny self-portraits, of the 'octopus mind', who explores the gaps between mind and body, and body and world, with deft, diverse diagnoses."Damian Walford Davies "Extraordinary poems of self-encounter, of divergence, of bruised bodies out of balance with themselves, laid bare – and of new-found identities, and joyous release." Richard Marggraf Turley "Rachel Carney's debut collection delights in its curiosity and surrealism. This is a collection that 'swims out into deep ocean currents' to explore the workings of the mind and the impacts of this on the self." Katherine Stansfield
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Rachael Clyne's You'll Never Be Anyone Else presents a direct and assured voice, demanding that we think carefully about what it takes to reconcile being different. She advises the reader to 'Stop drinking the poison / labelled "Hate me." / It's that simple. I didn't say easy.' Clyne also has an alter-ego "Girl Golem" reminiscent of a superhero but based on the mythical man made from clay and spells to protect Jewish people from persecution. Through this empowering persona, Clyne opens up an exploration of Jewish and lesbian identity. Surveying attitudes in the present day and in the past, these poems explore migrant heritage, sexual identity, domestic violence and ageing. The stories of this collection are often poignant, like the retired tailor in 'Mr Shopping Trolley', who takes to shearing newspapers, so that his scissor fingers remain busy. Or in 'Leaving Odesa', the speaker revisits the prison where – under Tsarist law – her grandmother (even as an infant) had to serve out the remainder of her father's sentence after he died.Clyne's imagery is razor sharp in its precision, as she deftly weaves different poetic forms and wildly versatile subject matter, even interspersing Yiddish phrases, as part of her own unique poetic idiolect. Take the hilarious poem, 'Jew-a-lingo (Code-switching for Jews 1970 edition)' which emphasizes Jewish humour as a staple survival strategy. You'll Never Be Anyone Else offers a unique story of survival and empowerment told in spite of experiences of violence and prejudice – this from a poet who has spent a lifetime learning self-acceptance and as a psychotherapist helping others to do similar. Treating even dark subjects with playful wit and colourful imagery, Clyne is a distinctive new voice with a powerful message about self-acceptance. "Rich, cinematic and sensuous." – Joelle Taylor 'With its impressive scope, ranging from the Holocaust, nuclear fallout, and immigration to domestic life and childhood, Rachael Clyne's Girl Golem thoughtfully explores our tactics for survival: in resistance, in the imagination, in mutual care. In these evocative, spirited poems, Clyne implicitly argues for faith in our own humanity and for the richness of difference.' - Carrie Etter 'Rachael Clyne's poetry, full of physicality and dramatic openness, accumulates a series of tensions within her Sixties free spirited identity and Jewish heritage. Attentive to narrative angle and migrant experience, she allows characters to emerge over generations showing how they mould into a new cultural identity. In its quiet and carefully crafted ways, Girl Golem shows the sweep of history and the importance of a tolerant county that offers salvation to those persecuted abroad.' - David Caddy 'Clyne's poems inhabit a shadowy and uncomfortable space where all is not as it seems – people become pieces of furniture and rooms have sinister personalities. A complex work of many layers – these thought provoking and deftly crafted poems are a playful and powerful examination of identity, sexuality, heritage and family dynamic. Clyne skilfully conveys a sense of disquiet and alienation, a sense of being other, both within the dysfunctions of the family, but also within the context of the wider world.' - Julia Webb Rachael Clyne is a psychotherapist from Glastonbury. Her prizewinning collection Singing at the Bone Tree (Indigo Dreams) concerns human beings' relationship with nature, and she is a climate activist. Her pamphlet Girl Golem (4word) concerns her migrant background and sense of otherness. A frequent reader at poetry events and festivals, she has been published in magazines like Shearsman, The Rialto, and The Interpreter's House.
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In Cymru & I nine new writers look at what Wales means to them as people from backgrounds previously marginalized or excluded. Their kaleidoscopic viewpoints prove that the concept of 'Welshness' is broader, deeper, and far more nuanced than that portrayed in the mainstream. These unheard stories reflect the experiences of many, but such stories have too often been overlooked or ignored. Here are essays on identity, integration, the power of language to welcome or divide, acceptance, personal aspiration, civic decline, and hill walking. Among the contributors are those who have sought sanctuary or space in Wales: immigrants – current and first or second generation – neurodivergent, LGBTQ+ and working-class people. Their articulate and compelling essays demand attention. Cymru & I is made of nine very human stories about Wales and the many different kinds of Welshness it encompasses. The contributors are: Gosia Buzzanca, Tia-zakura Camilleri, Kelechi Ronald Ikpe, Mo Jannah, Bethany Mcaulay, Laura Mochan, Debowale Omole, Alys Roberts and Anthony Shapland.
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Viva Bartali! / Damian Walford Davies. - [miejsce nieznane] : Seren : Legimi, 2023.
Inspired by the lyrical, mythic mode of Italian sports journalism from the 1930s to the 1950s, Viva Bartali! is a biography-in-verse of the iconic Italian cyclist Gino Bartali (1914—2000), two-time winner of the Tour de France (1938, 1948), known both as 'Gino the Pious' because of his fervent Catholic faith, and as Ginettaccio ('Gino the Terrible'), owing to the short shrift he so often gave the Press. Conjuring Bartali at crux moments in his personal and professional career, through joy and tragedy, defeat and victory, the collection places us alongside the young rider proving his mettle and adding to his palmarès in the edgy atmosphere of Mussolini's Fascist Italy, whose political ideology he loathed. From amateur races to the professional one-day classics and on to Tour de France glory, Bartali is seen alongside his fellow riders as both vulnerable body and élite athlete; both cycling's hard man and fond and bereaved father; both kneeling believer and climbing god. The collection gives us an insight into the complex relationship that underpinned his great rivalry with the campionissimo ('champion of champions') Fausto Coppi – the 'man of glass' against Bartali's 'man of iron'. It was a rivalry that a divided a nation and defined a sport. We are with Bartali at the 1948 Tour de France when he takes a phone call from the Italian prime minister, who asks him to do his part in diffusing a political crisis that could have tipped over into violence. And we witness his remarkable secret missions in the saddle as a courier throughout Tuscany during World War 2, carrying forged identity documents that helped save the lives of hundreds of Italian Jews. It was a deed he never spoke about – one for which he was named 'Righteous Among the Nations' by Yad Vashem in 2013. "A fascinating, original take on the epic life and career of an Italian hero." John Foot, author of 'Pedalare! Pedalare!' "Stylish and sophisticated, this poetic record of an extraordinary life confirms Damian Walford Davies' status as one of the finest poets writing in Wales today." Jem Poster
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In Orbit / Glyn Edwards. - [miejsce nieznane] : Seren : Legimi, 2023.
Forma i typ
On receiving news of a beloved teacher's death, a man struggles with the loss of a relationship sustained by deep admiration. Memories of their shared trajectory are separated in three orbits where the man's past, present, and future seem to be punctuated by the same intense grief. Narrated by the man through his grieving process, In Orbit uses a variety of innovative forms to explore loss, from traditional stanzas to prose poems to shaped poems in the form of birds, circuits, or hands. The narrative shifts in time, moving from his teen years to the present day when he himself has become a teacher. Observations from the classroom as student and teacher illuminate the deep and compassionate work that educators can do, as well as the moving nature of student-teacher relationships. This book does not ignore that teaching is hard work, and in grieving over the death of his own mentor, the narrator finds himself rudderless.The book not only grieves the loss of the teacher, but also toxic standards for boys and men. In Orbit demands that young people to be given space to explore their feelings without judgement, to be free to love others, and to love themselves. Beyond human communities, however, sustenance is found in the moon, the stars, the sky, and nature. The discovery of a badger's track or the treasure of a bird egg reminds us how small our trajectories are in the context of the more-than-human: an answer perhaps to the grieving process.Ultimately, Glyn Edwards' collection is a deeply moving account of losing a person you love, but not shying away from remembering them. In Orbit is a sustained narrative of love, loss, and longing. 'These poems let me see the subject matter in an almost photographic way and they marry that descriptive brilliance with depth of perception. Here there is something worth seeing and something worth grasping.' - Angela Graham 'Glyn Edwards is a true original who is not swamped or drowned out by channelling his predecessors from Shakespeare to Ted Hughes and beyond. He brings his own sharp observation, deep feeling and gift for language to the mix and makes everything his own. The poems of the natural world are breathtakingly vivid and the reader becomes gifted with the poet's ability to see with exceptional clarity and steadiness.' – John Freeman 'Edwards is a pilgrim, treading in others' footsteps, yet carving new paths in the poetic landscape. These journeys of homage are couched in rich, resonant language.'-Kathy Miles 'I am struck by the intensity and vitality of language, how landscapes green into being, how words are like lines of the body. - K.S. Moore 'Death is the ironic constant of life in these poems, often pondered over as both unnatural in its stark resolution and natural in its place as the final moment of all of our lived experiences.' - Alex Hubbard
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Hilary Durwood writes his father a letter of confession from the London gaol in which he awaits execution. Eager for glory as an explorer in the further reaches of the Empire he is duped into undertaking a semi-mythical mission, in semi-mythical lands. After many adventures and setbacks he returns to London destitute, dismayed at having killed someone, and seeking revenge against the Gentleman Explorer who set him up. Meanwhile a serial killer, The Slasher, stalks the streets and inevitably their paths will cross… Hilary has survived dangerous islanders who are intent on eating human flesh, a huge cat with a wooden leg, a giant centipede, and a man who is determined to taste every animal on the planet. He has been fed by birds bringing hallucinogenic berries and held up the crumbling Tower of Ectha. And now Hilary must write his final letter and contemplate the nature of murder and of guilt. This dark comedy thriller is a page-turning and riotous engagement with the notions and myths of Empire, the nature of reality, the power of narrative and the gullibility of those who wish to believe, even in the face of the truth. 'Crisp and memorable language' – Sheenagh Pugh, LIVEJOURNAL
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A Second Whisper / Lynne Hjelmgaard. - [miejsce nieznane] : Seren : Legimi, 2019.
A Second Whisper is a thoughtful and sensitive collection of poems that reflect the changing identities of a woman: in motherhood, in widowhood, in friendship and grief. There are elegies to the loss of her mentor and partner, the poet Dannie Abse in 2014 which are a tribute to their deep friendship. There are also poems to her late husband who died in 2006 and for their children and for relationships from the author's past in New York City and Denmark. The poems are both elegiac and celebratory, they move and change tone as the author travels to the past and negotiates through the geography of grief and feelings of displacement in London and finally, opens to her new life in the present. Such a beautiful collection that I read it at one stretch. In language whose easy music sounds like thinking, these poems tell the story of a special late love after bereavement, as well as of loves of all kinds, and the very experience of being alive. – Gillian Clarke
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The Turpentine Tree is an enduring symbol of memory, fragile but enduring the passage of time and still persisting: in the title poem, Lynne Hjelmgaard describes it 'a coppery faux god / with wildly twisted branches'. It might slip into the void, but here it is for now 'flying into the eye of the storm.' Hjelmgaard employs strong, sensuous imagery to capture moments from across her remarkable life. These are portraits of family, friends and relationships – of Hjelmgaard's uprooted life, including a life at sea, the subsequent displacement, widowhood and search for connections. Often the remembrances in poems are sweet-bitter, recalling friends and lovers lost, including the writer's late partner Dannie Abse. These explorations of loss are extremely moving, but the poems also communicate the value of a rich bank of memories which range around from spectating on a girl being punished at camp ('Summer Camp'), a Florida roadtrip with friends ('1969'), or an 'Evening Flight from Copenhagen.' Very often the speakers are in transit, travelling through, and so the poems hold onto intense, lucid or epiphanic moments. There's an honesty, easiness and at times humour about the language. Vulnerability and strength walk side by side to give an extraordinary depth of experience for the reader. There's a visitation from her dead lover; her husband's spirit is safe in her wardrobe in a plastic bag; her father's ghost is on a WWII battleship in Norfolk Harbour and later waits for her in a crowd of strangers at Miami airport. These snapshots are sometimes based on real photographs, or at other times are imaginary photographs; Hjelmgaard questions 'Did we really exist? Yes – / the photograph answers' ('The Photograph Answers'). Threaded throughout all these memories is the gorgeous vividness of nature – the sea, animals, and creatures – which take speakers out of human concerns to a more connected relation with the world. The Turpentine Tree is about intangible presences which open up memory and move beyond it, towards a universal interconnectedness. How far back does grief go? What is lost, what can be found? Is memory transferred between us without words, years later, is the unsayable felt? (from 'On the Atlantic Coast of Spain') 'Lynne Hjelmgaard is truthful yet unrepentant. An American poet, determined to be alive.' - Robert Minhinnick, author of Diary of the Last Man 'These poems keep a distinctive balance between distance and closeness – a wide span across decades, between continents, hand in hand with crisp small moments that encapsulate a life. Closeness, too, in the intimacies at the heart of this collection, held with a lucid sensitivity that's never sentimental, staying true to individual relationships while melting into universal themes of love, loss, letting go and celebration.' - Philip Gross, author of The Thirteenth Angel 'Who is this person from so many places? Lynne Hjelmgaard grew up in Stuyvesant Town NYC, lived in Denmark, in Paris, in England, in the Caribbean -- did she really sail on a boat? What is she telling us? Everything she carries within, at any time. A unique, unusual life reflected on in poems of intimate address to the reader/companion. Delicate, beautiful, detailed from an amazing memory. Childhood, womanhood, children, aging, loves, mixed as everything is in the one body/mind. Tender and magical.' - Alice Notley, author of For the Ride
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Wild Running / Natalie Ann Holborow. - [miejsce nieznane] : Seren : Legimi, 2025.
In Wild Running, prize-winning poet and keen runner Natalie Ann Holborow showcases fourteen circular trails around South Wales of varying lengths and difficulty, all within an hour of Swansea or Cardiff. The book includes all the practical information you'll need, but this is more than just a guidebook. Natalie writes beautifully and with insight about the culture, history and natural environment around each route. She explores what running means to her, as both a physical and creative outlet. Running improves well-being. Whether you're a novice or a veteran runner, Wild Running encourages you to put on your trainers and explore.
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Storm / Alex Hubbard. - [miejsce nieznane] : Seren : Legimi, 2025.
Forma i typ
Josephine is already haunted. At university in Aberystwyth, she is grateful to be away from home, and further everyday from the past. When she kisses Glynn on a night out, it could be the start of a love story. Awkward, earnest and polite, he isn't like the other people she knows. But the town is in the midst of a violent storm and strange things keep happening. Josephine wishes it would all go away. But the past is intent on coming for her.
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Say It With Me / Vanessa Lampert. - [miejsce nieznane] : Seren : Legimi, 2022.
Rooted in everyday communities, the voice of Say It With Me is wry, candid and knowing, offering poems that playfully record the foibles of domestic life. There are curious stories: a parrot flies away but always returns to its master, a school bully becomes their victim's acupuncture patient in adulthood, and a donor finds new kinship with the woman who receives his cells. All these stories are gems full of curious twists and turns.Often the poems represent specific places and people, sometimes nostalgically so, like memories of family beach trips with loved ones now deceased. Others are flights of fancy: imagining a park of one's dreams, an ode to the small pleasures of life, or inventing a new history where a father didn't die young. Most significant however are the poignant and remarkable stories of family life. There are happy portraits as well as thoughtful poems concerning divorce and parenthood, also the body in triumph and decline. Though speakers take up a watchful distance from events, they are also fierce and unafraid to intervene. A middle-aged woman on the beach wades into the sea to chastise some lads playing with an inflatable sex doll."Say it with me" a line taken from the poem 'Canada' is a phrase that often precedes a rallying cry, or a brave but controversial factual statement. The tales in this collection feel true and honest and its title is a call to unite. This is a collection about the communities in which we live and the interconnectedness of human beings. The likeable speaker of these poems surveys it all with the dry humour and wisdom of an older woman, posing scenarios that we can all recognize as authentic. Ultimately, Vanessa Lampert uses deep and rich storytelling to lay bare truths that are at once funny, moving, and illuminating. 'The poems in Vanessa Lampert's new collection are lodestars. How lucky to be guided by them. In this book nature is more than an encounter to wonder about, it is a binding-- both to our home here on earth, the dailyness, joy and loss of that, and to our own corporeal selves. For anyone looking for the words to what it means to be human look no further: they are here.' - Matthew Dickman 'Vanessa Lampert has a rare talent for telling stories which, although they come from a place deeply personal to her, become universal in their rendering. These are poems which welcome us in like old friends, full of warmth and generosity, and which have the sudden ability to switch gears – and with them, our emotions – in just a few short lines or phrases. Say It With Me is a remarkable first collection of poems, a book infused with darkness and light, beauty and sadness, humour and ultimately, hopefulness.' - Brian Bilston In Say It with Me Lampert's observant and witty voice accompanies us through subtle turns in thought, redirecting our attention with a glance, a clearing of the throat, so that we step from the scenery of life, into the resonant emotional landscape of living. Her poems open the aperture, and expose us to the loss that time is always enacting upon us, its cruelty and its beauty.' - Jack Underwood 'Vanessa Lampert is a chronicler of minute but crucially significant moments; she holds them to the light to find their gleam and then shows them to us as stunning jewels. We enter one of her poems on the familiar ground of a summer beach or an ordinary municipal park, and leave years later, often having communed with those we've lost. What she accomplishes may seem simple, but the seismic shifts of our lives are packed into her humming lines. Her poems are like a fairground on the final night of the season – we want to clasp onto their joy and celebration that bit longer.' -Tamar Yoseloff
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The Shape of Her / Anne Lauppe-Dunbar. - [miejsce nieznane] : Seren : Legimi, 2023.
1945. After the fall of the Third Reich, fourteen-year-old Ruth offends her newly-Communist boss. As punishment, like so many German women and girls, she is brutally assaulted by Red Army soldiers. Ruth escapes with the help of the Werwölfe – the child terrorist network set up by Hitler – of which she is a member. She returns to her home, only to find it under attack. She is given a sheet of music which has a code showing the location of hidden diamonds intended to fund the guerrilla war waged by the Werwölfe against the Russian occupation. Ruth flees for her life to the relative safety of West Germany. Some two decades later, the consequences return to threaten Ruth's daughter Katya and shatter her hitherto ordered existence. Facing danger at every turn, Katya must seek out the diamonds and follow her mother's wishes by returning them to their rightful owners. Expertly evoking the post-war world of a divided Germany, Anne Lauppe-Dunbar's novel is a thrilling and fraught journey across a country haunted by its brutal past where secrecy and double-dealing hold sway. The narrative is salted with nationalist fanaticism, runic secret codes and the baroque fantasies of Hitler and Himmler on the one hand, and the brutalities of the Cold War on the other. National, political and family loyalties are explored, together with shades of guilt, duty and responsibility, and the status and resilience of women, and the mother and daughter in particular. The Shape of Her is both a page-turning adventure and an investigation into human nature.
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The Forger's Ink / Jo Mazelis. - [miejsce nieznane] : Seren : Legimi, 2025.
Forma i typ
It's the 1970s, and a mysterious woman has a cache of letters which claim to tell the story of the death of Fanny Imlay, half-sister of Mary Shelley and daughter of Mary Wollstonecraft. Did Fanny really commit suicide in an inn in Swansea in 1816, as historians thought? The letters instead suggest a faked death and an escape from Fanny's fraught family life. It could have been an independence of which Fanny's mother would have been proud. But the letters also suggest the re-born Fanny remained misunderstood, mis-used and rejected, in the manner of Mary Shelley's Frankenstein's monster. The women's intertwining narratives begin to reflect each other as the mysteries multiply and resolve. Gothic body-swaps, dark mansions and unexpected deaths merge with 70s politics and feminism in this tour-de-force by Jerwood Prize-winning author Jo Mazelis. "The Wollstonecraft-Shelley story is a founding myth in Gothic literature; Jo Mazelis tears it to shreds and reassembles it, amid the thick sea mists of south Wales, with Cymbeline and the Manson girls among her dramatic sources." – Geoff Sawers, author of Widdershins Walk
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Are You Judging Me Yet? / Kim Moore. - [miejsce nieznane] : Seren : Legimi, 2023.
Forma i typ
Five 'lyric essays' exploring the dynamics of performing poetry as a female poet – confronting the implications of being a female on public display, with the connotations of sexual objectification, in a context that traditionally disregards the body. Kim states "With the strides and gains made through the #MeToo movement, I believe the time is right for a book like this to make an impact. As a female poet, I know there is a need for such a book to examine the intersection between writing, performing, feminism and sexism. I wish this book had been written when I first started working as a freelance writer and I've had many conversations with other female poets who have also confirmed my thinking – that female poets are navigating these things regularly, and yet nobody is really writing or talking about them." The book draws on her experiences of writing and performing the poems in her second collection All the Men I Never Married. It is a balance of memoir, academic treatise and poetry, though the author's emphasis is on writing in a popular way and making the subject accessible to a wide audience. To achieve this her models have been Maggie Nelson's Bluets, Claudia Rankine's Citizen and Sarah Ahmed's Living a Feminist Life. The book's subjects include heckling at poetry readings and other interactions; problems with the 'male gaze' and what the 'female gaze' might look like in poetry; 'guilty for being a man': how guilt can be useful if it can bring about change; how writing poetry about sexism can shed add meaning to the term; the objectification of men and women, and 'bad faith' arguments. Are You Judging Me Yet?, by Kim Moore, is a remarkable collection of essays and poetry that explore, as the tagline suggests, everyday sexism. – neverintimate '…Moore's work becomes an even more vital tool in the work being done to challenge everyday sexism. Reading her work is not only a window into her own experiences, but may also act as a means of education, and that's something we all need to see more of.' – Wales Arts Review
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Wonderboy / Jamie Morrison. - [miejsce nieznane] : Seren : Legimi, 2024.
'A unique and electric talent – his work is full of technicolour and imagination. I love this author and I love this book.' – Laura Dockrill From the moment Andrew 'Pop' Morrison, a.k.a Wonderboy, heard the mesmerising beats of a drumkit through a classroom window, he knew he was born to be a drummer. When Pop and his band hit the big-time, they find themselves on a one-way path to stardom. Enjoying the wild ride, the whole world is soon at his fingertips – and it's addictive. But when his partying lifestyle takes a dramatic downward turn, he is forced out of his comfort zone and back to square one. Stuck in limbo, the only thing that comforts him is Drewford Alabama's personal diary, which he discovered in the torn silk lining of a thrifted suitcase, one fateful night in a New York hotel suite. Finding Drewford becomes an obsession and a path back to normality. But with only a name and mysterious messages on an empty page, will he ever find him?
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Whaling / Nathan Munday. - [miejsce nieznane] : Seren : Legimi, 2023.
1792. Nantucket whalers are invited to found the port of Milford Haven in Wales. What does the arrival of these hardy Quakers – immigrants to America a century before – mean for the local people? And what is the meaning of the beached whale that preceded them? Two cultures rub against each other and distrust grows, driven by the local preacher. As Whaling unfolds concern swerves into hysteria against the incomers and the preacher plans a grotesque, Jonah-inspired fate for the whalers. Nathan Munday's debut novel is an exciting mélange of original fiction, historical writing and whaling images. In it he explores our relationship with the natural world, the boundary between faith and superstition, and the age old problem of immigration. Set in historical fact this is a narrative at once modern and contemporaneous, the writing rich in imagery and deceptively tense as its story slides into allegory.
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This Stolen Land / Marsha O'Mahony. - [miejsce nieznane] : Seren : Legimi, 2025.
The Gwent Levels line the north shore of the Severn Estuary in South Wales: Chepstow at their head; their more famous cousin, the Somerset Levels, across the water; the Welsh capital, Cardiff at their feet. You could waste an hour crossing the Levels by motorway. Or brush aside the journey by train. But writer Marsha O'Mahony has chosen the slow route of foreshore, footpath, and country lane. Over the course of two years, she meandered from village to village collecting conversations and anecdotes as she went. The result is a remarkable oral and social history of this unique landscape and the people who live there.
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Forma i typ
In a remote valley in the Black Mountains farmer's daughter Beth is a child of nature, utterly at one with the rugged landscape as she tends the farms wayward sheep. But change is coming to the mountains, the modern world enters in the form of the construction of a reservoir in a neighbouring valley. Parts of the mountain are literally taken away to build the dam, there are people, machinery, noise, the subjugation of nature. Change arrives too with the First World War, emptying the mountains of young men including Beth's beloved brother Daniel, who goes 'missing in action'. Their mother turns to religion, their father falls silent. Beth takes to the mountain, and solitude. The arrival of Eric Gill's colony of catholic artists means more change, and more tension with the families of the valley. Although wary of these newcomers Beth meets Gabriel, an apprentice letter carver, who draws her out of her solitude and who also loves the mountain. When the colony relocates to England Beth faces a heart-wrenching choice between her home and the person she loves. Things Found on the Mountain is a Hardyesque coming of age story. At its heart is the dramatic landscape, which suffers, like Beth, a loss of innocence. This moving novel will appeal to fans of Sian James and Maeve Binchy.
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